"8 of the smallest Handguns you can Own"

The smallest pistol I have is a G-43 in a "DeSantis Superfly Holster"  works well for me, but having a "mouse gun can be beneficial having something smaller although the superfly doesn't print and is comfortable, there would be time that a smaller pistol would be better, although finding one that would fit my needs and work when necessary is the trick.

I shamelessly clipped this from "American Rifleman"

One of the very first handguns that I ever saw up close was my dad's Belgian Baby Browning chambered in .25 ACP. I was fascinated by the fact that it was small enough to fit in the palm of his hand, and yet it was still a fully functional pistol. Once I was old enough to start buying handguns of my own, my enthusiasm for the smallest-of-the-small didn't waver.

In pursing this littlest handgun hobby of mine, I've enjoyed opportunities to evaluate a variety petite pistols ranging from 9 mm defensive-carry models to unique, rimfire “utility” guns. Whether you are looking for a more compact daily-carry pistol or something spiffy to add to your collection, here are a few of the smallest handguns currently on the market:

8. Taurus GX4 T.O.R.O.: Double-Stack Micro Nine
Although sub-subcompact, double-stack magazine 9 mm pistols have been available since 1995, it was the launch of the SIG Sauer P365 in 2018 that triggered the latest concealed-carry trend colloquially known as “micro nine pistols.” These handguns are intended to fill the niche between the double-stack subcompact and single-stack 9 mm pocket pistols. Over the last few years, these semi-automatic guns have become a new standard in the concealed-carry market. In addition to their slim frames and 10- to 13-round magazine capacities, the micro nines are about as small as you can get while still retaining the option to configure the slide for a red-dot optic.

The GX4 sports useful upgrades often reserved for more expensive pistols, including metallic sights, front and rear cocking serrations and interchangeable grip backstraps.

Several micro nines are the right size for this slot, but I opted for a Taurus USA model that I've worked with more than some other guns. The Taurus GX4 is shown here with the T.O.R.O. optics-ready slide. While the SIG P365 set the standard for this category, the GX4 is sized to match, accepts 11-round flush-fit, or 13-round extended magazine, and it provides a useful set of features at a lower price point than most of its competition. MSRP starts at $399. TaurusUSA.com

7. Diamondback DB9: Single-Stack 9 mm Pocket Pistol
No matter how you slice it, modern single-stack 9 mm pistols designed for pocket carry are slimmer and lighter than the micro nines. Diamondback Firearms offers one of the smallest currently available. When I worked with the DB9 for the first time more than a decade ago, I was surprised to handle a 9 mm semi-auto pistol that was dimensionally similar to subcompact pistols chambered for the more diminutive .380 ACP cartridge. The fact that the DB9 could handle the more potent 9 mm cartridge in such a small package meant that had to purchase it when the evaluation timeframe was complete.

The DB9’s small size makes it easy to carry but more challenging to master.

Today, single-stack 9 mm pocket pistols are fairly common in a variety of configurations and price points, but the DB9 remains as one of the smallest available. The pistol I have on hand tips the scale at 12.8 ozs., and that includes an empty magazine. The tradeoff for DB9's feathery effect is a stiff level of recoil when using standard-pressure 9 mm ammunition. It is manageable, though not exactly enjoyable. Recently, Diamondback released the Gen 4 version of the DB9 with updates to the slide's cosmetics and the grip's texturing. MSRP is $305. DiamondbackFirearms.com

6. Bond Arms Stinger Series: Double-Barrel Pocket Protection
Bond Arms’ claim to fame is offering some of the smallest and most powerful handguns available. The company's stainless-steel, standard-frame guns live up to this boast with dual barrels chambered for cartridges including .357 Mag., 10 mm Auto, .44 Spl., .45 Colt and .410 bore shotshells. As small and potent as they are, the all-steel construction and big-bore, swing-up barrels can make these pistols a bit chunky for pocket carry.

The Stingers were developed in answer to customer requests for a slimmer, lighter pistol.

The company has answered customer requests for a slimmer, lighter version of these tough little guns, 12 ozs., with the double-barrel Stinger series. Shown here are the new Stinger RS (Top) and the original aluminum-frame Stinger (Bottom) released in 2021. Fitted with a 3” barrel assembly, the Stinger RS, which stands for Rough Series, features stainless-steel construction but at about half the frame width of the standard version. This shaves the weight down to 16 ozs. Barrels are interchangeable, too, and Bond Arms offers versions in .380 ACP, 9 mm Luger and .38 Spl., and apparently a .327 Fed. Mag. option is coming. The pistols ship with a set of rubber grips, as well as ultra-thin polymer grips. MSRP starts at $279. BondArms.com

5. Ruger LCP Max: Double-Stack .380 ACP
In 2008, the launch of Ruger's Light Carry Pistol, or LCP, sparked an American sub-compact arms race, which set the standard for .380 ACP pocket pistols for years to come. But with a single-stack magazine and a capacity of six or seven rounds, some folks wanted a boost in performance. In 2011, the company launched the LC9, an upsized version of its LCP chambered for 9 mm Luger with more capacity. Though it was slightly larger and heavier, the LC9 retained a slim and trim profile for everyday carry. That wasn’t enough, as folks always want more if they can get it. So, in 2021, Ruger presented the Max-9, a micro nine that accepts double-stack magazines.

This version of the LCP can hold nearly double the rounds of the original version.

The company could have left off there, but it made sure that the LCP would not be left behind in the trend of double-stack upgrades. As such, 2021 also marked the arrival of the LCP Max chambered for .380 ACP. Just like its micro-nine compatriot, the most noteworthy change to the new LCP came in the form of a new frame for increased ammunition capacity with only a nominal change to the grip’s width. It accepts a 10-round flush-fit, or 12-round extended magazine, which makes for a significant increase. The LCP Max sports a night sight with tritium and has a smooth and light trigger pull. MSRP is $479. Ruger.com

4. KelTec P32: Single-Stack .32 ACP Micro
Prior to the .380 ACP pocket-pistol rush of the late 2000s, there was the petite .32 ACP dust-up of the late 1990s. The .32-cal. contenders for American holster space at the time included the Seecamp LWS-32, Berretta 3032 Tomcat, North American Arms Guardian and the KelTec P32. At the time, the P32 was the odd man out. It had one of those “newfangled” lightweight, injection-molded polymer frames with an internal aluminum chassis instead of an all-stainless-steel or aluminum frame. With an unloaded weight of 6.6 ozs., it was the lightest and least-expensive model in the running.

The P32 may be part of a dying breed, but it still offers a balance of size and performance that's tough to beat.

Still in production more than two decades later, the P32 fits right in with the today's defensive semi-automatic pistols with polymer frames. There's no question that the .380s are more powerful, but the P32 is surprisingly comfortable to shoot for its size. And when compared to the Ruger LCP II chambered in .22 LR, the P32 is slightly shorter, a bit thinner and weighs a noticeable, 4.2 ozs. lighter while also packing centerfire cartridges. Although the .32 ACP is no longer a hot topic, the P32 still comfortably fills a niche between the .380s and .22s. Who knows? The cartridge just might make a comeback. MSRP is $360. Keltec.com

3. Trailblazer Lifecard: Folding Single-Shot .22 WMR
Trailblazer Firearms offers what I would consider one of the smallest guns available today. The single-action LifeCard is a folding, single-shot utility pistol. Its unusual form factor makes it one of the easiest pistols to carry that I've worked with so far. The flat, squared-off folded profile is comparable in size to a tin of mints or a credit card holder. It can be tucked into just about any pocket, including the watch pocket of a pair of jeans.

When folded, the Lifecard will fit comfortably in just about any pocket.

The .22 WMR (magnum) version of the Lifecard, with its steel and aluminum construction, weighs in at just 6.4 ozs., features a simple trench-sight system, a three-round ammunition compartment in the grip and is available in a variety of colors. The company also offers a .22 LR version with a polymer grip, which reduces the pistol's weight and cost. MSRP starts at $299. TrailblazerFirearms.com

2. Ruger LCP II: Single-Stack .22 LR
A few years ago, I penned a respectful eulogy for the small-caliber pocket pistols sometimes referred to as 'mouse guns'. However, in 2021, Ruger chose to breathe new life into the rimfire pocket pistol market. The LCP II Lite Rack chambered in .22 LR is based on the popular LCP II chambered in .380 ACP. It has the same external dimensions and trigger pull. But the slide is configured for ease of use. The magazine holds 10 rounds of .22 LR ,and this version of the LCP has a thumb safety lever on the left side.

The LCP II is a modern, polymer-framed take on the classic 'mouse gun' pocket pistol.

A close contender for this slot is the Beretta 21A Bobcat, which is a well-made and reliable rimfire pocket pistol. The LCP is about 0.25" taller and 0.25" longer than the Beretta. However, the LCP weighs less, 10.9 ozs., has a thinner grip, 0.92" at the widest point, and holds up to 11 rounds of ammunition instead of 7+1. The LCP II also has a suggested retail price that is $40 less than the 21A Bobcat. For those who wish to shoot this pistol with a sound suppressor, Ruger offers a drop-in threaded barrel and recoil spring kit on the shopruger.com website. MSRP is $439. Ruger.com

1. North American Arms Mini Short: Single-Action .22 Short Revolver
North American Arms' (NAA) diverse series of mini single-action revolvers has represented the smallest multi-shot handguns available for quite some time. These delightfully tiny, stainless-steel revolvers are well-made with an attention to detail that shows this is a company that takes its products seriously. I've seen these revolvers put together at the factory in Provo, Utah, and I have to say, the process seems more like watchmaking than gun assembly.

The Trailblazer Lifecard may be the size of a tin of mints, but the NAA Short can almost fit inside that tin.

The NAAs are available in three frame sizes, with the version chambered in .22 Short (NAA-22S) being the smallest of all. This revolver weighs in at 4.2 ozs. and has a profile that comfortably fits on top of a Trailblazer Lifecard. With its small grip, tiny controls and the mild recoil produced by the pill-sized .22 Short cartridges, this diminutive revolver provides an utterly unique shooting experience. However, the .22 Short-chambered Mini should be respected for what it is, a proof-of-concept handgun of which pushes the limits of size and shootability right to the edge of practicality. MSRP is $255. NorthAmericanArms.com

Monday Music Brothers Johnson "Stomp"

 Yeah well today y'all get Monday's Music on a Tuesday....

Yep, I waz sick and didn't put anything up....Hey it happens.   Still rolling with the 70's stuff. 

The Brothers Johnson were an American funk and R&B band consisting of American musicians and brothers George ("Lightnin' Licks") and Louis E. Johnson ("Thunder Thumbs"). They achieved their greatest success from the mid-1970s to early 1980s, with three singles topping the R&B charts ("I'll Be Good to You", "Strawberry Letter 23", and "Stomp!").

Light Up the Night is the fourth album by the Los Angeles, California-based duo Brothers Johnson, released in 1980. The album topped the U.S. R&B albums chart and reached number five on the pop albums chart. The single "Stomp!" became a dance hit, reaching number one on both the R&B singles and disco charts and top ten on the pop singles chart.

Light Up the Night was the final Brothers Johnson album to be produced by Quincy Jones. When Jones left A&M Records, he was contractually barred from having contact with the brothers.

"Stomp!" is a song released by The Brothers Johnson from their fourth album, Light Up the Night, in early 1980. It reached number one on the Dance singles chart. It reached number one on the R&B singles chart and peaked at number 7 on the Billboard Hot 100 in early 1980. It was a bigger success in the UK, where it entered the singles chart at number 65 on February 23, 1980, and climbed to its highest position, number 6, by March 30, 1980. It spent a total of 12 weeks on the UK Singles Chart. The song also reached number one on the New Zealand Singles Chart, staying in this position for six weeks in 1980.

Happy New Year! and "10 Biggest Media Hoaxes of 2025" And a bonus Music Video

 

Happy New Year to my friends out there in the Blogosphere, Yes I'm working...Yes Its New Years Day, and Yes I work in the Aviation field, there are no such thing as a Holiday.  Anybody that works in what is classified as "essential, back in the Covid days or served in the Military  or classified as a "First Responder"knows what I am talking about.   I am squeezing in this post in real quick, I hope heads roll over the Somali daycare scams and some of the others but I do fear that after all the fuss dies down, it will be *Bidness as usual* and nothing is done, the apparatus that is known as the *deep state* will run interference so nobody gets punished....again unless they are from the "right side of the aisle" and they wonder why people's faith in our institutions are at an all time low.

  Because it is "New Years Day," I decided to throw out a bonus Music video.

I decided to go with U2 and the song "New Years day" because the video uses a lot of combat camera footage from the Soviets and I though that was pretty neat.  This album got a heavy playlist on MTV, that is where I heard of it and subsequently bought the CD a few years later when I was stationed in Germany from the PX at Robinson Barracks.

The boy on the cover is Peter Rowen (brother of Bono's friend, Guggi). He also appears on the covers of Boy, Three, The Best of 1980–1990, Early Demos and many singles. Bono described the reasoning behind the cover: "Instead of putting tanks and guns on the cover, we've put a child's face. War can also be a mental thing, an emotional thing between loves. It doesn't have to be a physical thing."

    
"New Year's Day" is a song by rock band U2. It is on their 1983 album War and it was released as the album's lead single in January 1983. Written about the Polish Solidarity movement, "New Year's Day" is driven by Adam Clayton's distinctive bassline and The Edge's piano and guitar playing. It was the band's first UK hit single, peaking at no. 10, also becoming the band's first international hit, reaching for example no. 9 in Norway, no. 11 on the Dutch Top 40, no. 17 in Sweden and charting on the Billboard Hot 100 in the United States (just missing the Top 50) for the first time in their career.
In 2010, Rolling Stone magazine placed the single at #435 on their list of "The 500 Greatest Songs of All Time". This song was also included in the Pitchfork 500.
    
The lyric had its origins in a love song from Bono to his wife, but was subsequently reshaped and inspired by the Polish Solidarity movement. The bass part stemmed from bassist Adam Clayton trying to figure out what the chords to the Visage song "Fade to Grey" were.
In 1983, Bono said of the song, "It would be stupid to start drawing up battle lines, but I think the fact that 'New Year's Day' made the Top Ten indicated a disillusionment among record buyers. I don't think 'New Year's Day' was a pop single, certainly not in the way that Mickie Most might define a pop single as something that lasts three minutes and three weeks in the chart. I don't think we could have written that kind of song."
     
"New Year's Day" is U2's fifth most frequently performed live song, with The Edge switching back and forth between piano and guitar during the song. It has been a standard on every U2 tour since its debut on 1 December 1982 at the first show of the War Tour's Pre-Tour. During the 1980s, The Edge used a Fender Stratocaster to perform this song, along with a keyboard. During the 1990s and 2000s (decade), he has alternated between a Gibson Les Paul Custom and Les Paul Standard. The Les Paul the Edge used to write this song was sold for charity. Up until the Elevation Tour, Clayton normally used a chorus effect on his bass guitar for this song live. In the Top of the Pops performance, Bono is seen playing guitar.
"New Year's Day" has appeared on many of U2's concert video releases including 1983's U2 Live at Red Rocks: Under a Blood Red Sky, Zoo TV: Live from Sydney, PopMart: Live from Mexico City, U2 Go Home: Live from Slane Castle, Vertigo 2005: Live from Chicago, Live from Paris, and U2 3D.
The B-side of "New Year's Day", "Treasure (Whatever Happened to Pete the Chop?)", was never performed live. However, an early version known simply as "Pete the Chop" was played at some concerts in 1980.
During the Vertigo Tour at Silesian Stadium in Poland a quite remarkable example of fan action occurred. During New Year's Day, the lower sections of the crowd waved red coloured items while other sections waved white, creating the Polish flag and stunning the band. This was repeated during the U2 360° Tour at the same venue.

The video was one of their first to see heavy rotation on MTV. It was filmed in Sälen, Sweden in December 1982 and directed by Meiert Avis. The band only appeared in the performance scenes of the video as it was filmed in the dead of the Swedish winter. U2 guitarist Edge revealed in the official U2 biography that the four people riding on horseback in the video that appeared to be the four U2 members were in fact four Swedish teenage girls disguised as the members of U2 riding on horseback with masks over their faces. This was done as the band were frozen from shooting the video in sub-freezing temperatures the day before. Their biography states that Bono refused to wear any headgear despite the cold weather and had a lot of trouble mouthing the lyrics. The video also features footage of Soviet troops advancing in winter during World War II.
The video made its debut UK television broadcast on Friday 31 December 1982, on the Channel 4 music programme, 'The Tube'.
U2 allowed free-of-charge use of this song in a spot prepared by the European Commission. This clip published on YouTube shows a transformation of Poland in last 20 years mixed with short scenes from today’s Warsaw seen from a perspective of a 20-year-old woman.

   I shamelessly clipped this from the "Federalist."

It turns out that when you spend every day parroting the most asinine conspiracies and narratives imaginable, people lose faith in your ability to play it straight pretty quickly. That’s the situation that America’s propaganda media found themselves in this year, as their credibility amongst the public hit the lowest level in recorded history.

For anyone who’s paid attention to their coverage of the 2025 “news” cycle, it’s not hard to see why. From running cover for leftist violence to gaslighting Americans about their role in the cover-up over Joe Biden’s ailing health, the corporate media’s bid to hide the truth was nothing short of remarkable.

So, as a public service, The Federalist has compiled a list of the top 10 biggest hoaxes run by our reality-deprived media throughout the past year. In no particular order, here they are.

Elon the ‘Fascist’

It didn’t take long after President Trump was sworn back into office for the media to pick up right where they left off after his first term.

While celebrating alongside Trump supporters at a post-inauguration event, X owner Elon Musk delivered remarks to attendees, in which he thanked them for making Trump’s victory possible. With his hand over his heart, the tech mogul then pointed to the crowd and said, “My heart goes out to you. It is thanks to you that the future of civilization is assured.”

Media hacktivists quickly leapt into action to falsely characterize the hand gesture as a “fascist” or “Nazi” salute. This included outlets like PBS News, which wrote on X, “Billionaire Elon Musk gave what appeared to be a fascist salute Monday while making a speech at the post-inauguration celebration for President Donald Trump at the Capital One Arena.”

Anti-Hegseth Campaign

From the day President Trump tapped him to lead the Pentagon, Pete Hegseth has been under a barrage of media smear campaigns and hoaxes. Throughout his Senate confirmation battle to become America’s next war secretary, the media ran endless stories featuring anonymous sources alleging wrongdoing at his prior places of employment and dishonest hit pieces about his personal life — all to keep him from being confirmed.

Even after failing to prevent Hegseth’s confirmation, the media have shifted their focus to ousting him from the position. Throughout the past year, these efforts have included pushing the Signalgate dud, manufacturing a “constitutional crisis” about a Pentagon-led prayer service, elevating the voices of unnamed disgruntled officers to trash Hegseth, and — most recently — fomenting a hoax surrounding the military’s strikes on drug-smuggling boats in the Caribbean.

Wait … Joe Biden Wasn’t OK After All?

Despite outlets like The Federalist reporting on it for years, America’s propaganda press didn’t just ignore Joe Biden’s clear cognitive decline — they actively participated in the cover-up. At every turn of his presidency, the media did everything possible to run interference for the doddering Delaware Democrat and preserve their party’s political power.

It was only after Biden disgracefully exited stage right that media hacks like Jake Tapper felt it was OK to acknowledge what those who aren’t regime simps have long known to be true about the now-former president. Earlier this year, the CNN talking head and Axios’ Alex Thompson embarked on a media tour to hawk their new book, which promises readers an inside look at the Democrat-led effort they participated in to hide Biden’s decline from the American public.

If that’s not gaslighting at its absolute worst, then I don’t what is.

A ‘Maryland Man’

Given their willingness to turn a blind eye to the border crisis under the Biden administration, it came as no surprise when the media ran to sow falsehoods about President Trump’s immigration enforcement efforts.

One of the most prominent examples of this came to a head with the deportation of Salvadoran national Kilmar Abrego Garcia, a credibly accused MS-13 gang member and wife-beater. Rather than inform their readers that Garcia is an illegal alien and detail his reported criminal record, the media orchestrated a full-blown disinformation campaign to deceive Americans into believing the Trump administration abducted an unsuspecting “Maryland man” off the streets.

One Associated Press headline read, “El Salvador President Bukele says he won’t be releasing a Maryland man back to the US.,” while an NBC News piece partially read, “El Salvador won’t return Maryland man to the U.S. …”

The disinformation op was but one of many that media hacks ran throughout the year to smear and vilify immigration enforcement operations throughout the country.

Whitewashing the Russiagate Scandal

The damaging, years-long Russia collusion hoax would not have been possible without the active participation of America’s corrupt media. So, when explosive records on the subject were released earlier this year, it wasn’t exactly shocking that these so-called “defenders of democracy” immediately moved to sweep it all under the rug.

Declassified by the Trump administration, these damning documents showed how Obama-era intel leaders included uncorroborated intel in a 2017 intelligence report ordered by President Obama that parroted the false claim that Russia “aspired” for Trump to win the 2016 election. Not only was this and other unsubstantiated intel included at the behest of officials like then-CIA Director John Brennan, but intel contradicting that central claim was left out of the report altogether.

[EXCLUSIVE: ‘This Should NOT Be Included’ — Read Intel Officials’ Objections To ‘Extremely Sketchy’ Steele Dossier]

The propaganda press wasted little time in downplaying the scandal it helped to create. From running dishonest headlines to spewing outright falsehoods, the brazen hackery was a sight to behold.

[READ: Shameless Accomplice Media Spins Again To Cover For Obama And Friends]

(Meanwhile, The Federalist — which conducts actual journalism — was awarded the 2025 Dao Grand Prize for Investigative Journalism for its work exposing the Russia collusion hoax.)

Sydney Sweeney’s Good Jeans

It’s hard to imagine how even the most deranged members of the corporate press could turn an ad for denim jeans into a controversy about “racism.” And yet, they somehow found a way to do it.

When actress Sydney Sweeney modeled for American Eagle’s summer jeans line, shrieking leftist harpies and other media numskulls immediately rushed to characterize the ad campaign as one that promotes “racism,” “white supremacy,” “eugenics,” and pretty much every other left-wing outrage word you can think of. And then, after being inevitably mocked for their stupid responses, masculinity-challenged media flakes like David French were there to tell us that it was actually those darn right-wingers who made up the entire controversy.

Smearing Charlie Kirk

If you thought the barbaric assassination of a young husband and father of two small children would be enough for the media to change their grotesque ways, then you are gravely mistaken. Almost immediately after the murder of Christian and conservative speaker Charlie Kirk, the despicable ghouls allowed to permeate cable news wasted no time in smearing him.

Less than an hour after news broke that Kirk had been shot, MSNBC (now MS NOW) correspondent Katy Tur characterized the TPUSA founder as a “divisive” and “polarizing” figure and attempted to frame the shooting around gun access and Utah’s “permissive” firearm laws. She furthermore appeared to express more concern about the political fallout for her Democrat allies than for Kirk, saying, “You can imagine the [Trump] administration using this as a justification for something.”

Meanwhile Tur’s then-colleague Matthew Dowd initially suggested that Kirk could’ve been shot as the result of a “supporter shooting their gun off in celebration,” and then pivoted to smearing Kirk as “one of the most divisive, especially divisive younger figures … who is constantly sort of pushing this sort of hate speech … aimed at certain groups.” (Dowd was later fired for his repulsive conduct.)

[READ: Debunking The Top 5 Lies The Left Is Spreading About Charlie Kirk After His Death]

The smears were two of the numerous media-led character assassination campaigns against Kirk that occurred in the wake of his assassination.

Excusing Leftist Violence

The assassination of Charlie Kirk. The attempted assassinations of Donald Trump. Attacks on ICE agents. The destruction of Tesla cars and dealerships. The firebombing of pro-life centers. The 2020 Black Lives Matter “summer of love” riots. The mafia-like murder of a health care CEO. The 2017 congressional baseball shooting. The attempted killing of Brett Kavanaugh. Transgender-led terror attacks on Christians.

These are but a few of the many acts of leftist violence to plague America in recent years — a problem that keeps getting worse by the minute. But according to our propaganda media, this is all just a figment of conservatives’ imagination.

[READ: While Media Denied Leftist Violence After Kirk Murder, Three More Left-Wing Attacks Happened]

When they’re not trying to downplay or “both sides” the issue, these so-called “journalists” are busy victim-blaming Republicans for getting attacked by Democrats’ wacko footsoldiers. And in the case of outlets like The Economist, they’ll even report out garbage studies conducted by literal Antifa to push the bogus narrative that political violence is really a right-wing problem.

Democrat Lawfare? Never Heard of It

If you pay close enough attention, you may notice a slight difference in the way the media covered the Biden administration and other Democrat prosecutors’ lawfare against Donald Trump and how they responded to the Trump administration moving to hold Dems’ corrupt allies accountable for their allegedly unlawful actions.

When Biden and Co. attempted to imprison Republicans’ 2024 presidential candidate on the eve of a major election, the “democracy dies in darkness” crowd could not have been more ecstatic. This unprecedented lawfare, media entities like The New York Times editorial board reasoned, was necessary to preserve what they professed to be the rule of law.

Yet when the Trump administration moved to hold figures like James Comey and John Bolton accountable for their allegedly unlawful actions, many of these same hacks have (unsurprisingly) been singing a different tune. Throughout the past year, they have twisted themselves into pretzels to deceive the American public into believing that this has nothing to do with the corrupt activities of such individuals and everything to do with Trump exacting “political retribution” against his enemies — all while ignoring their allies’ past lawfare against the president.

War on SCOTUS

The media’s bid to discredit the U.S. Supreme Court’s conservative justices is not a new phenomenon. But this year, it took on a new phase.

With left-wing activists and groups filing lawsuits against the Trump administration at every turn, predominantly Democrat-appointed judges have been quick to grant these actors’ requests to issue overreaching injunctions designed to grind the president’s agenda to a halt. Several of these cases have since made their way up to the Supreme Court, which has stopped many of the legally dubious orders from going into effect while litigation continues in the lower judiciary.

Seizing the opportunity, the media have used the conservative justices’ willingness to stifle this judicial coup as part of their campaign to destroy the court. These regime mouthpieces have since adopted the bogus narrative that, by following the law, SCOTUS is doing the bidding of Trump, whom they gleefully paint as a lawless authoritarian.

“The Supreme Court Is Trump’s Partner in Crimes Against America,” a September Rolling Stone headline read.

“The overwhelming evidence that the Supreme Court is on Donald Trump’s team,” blared a September Vox article.