The Constitution was made to guard the people against the dangers of good intentions." --American Statesman Daniel Webster (1782-1852)

Tuesday, July 16, 2013

Monday Music "I would do anything for love...but I won't do that..." Meatloaf

I decided to go with a Meatloaf song for my Monday Music( Yeah I know that it is earlyTuesday Morning, I havn't gone to sleep yet...so to me it is still Monday.)     I saw Meatloaf back in 1994, My girlfriend(now my wife) knew that I liked "Meatloaf" and he was coming to Lakewood Amphitheatre.  She gave me a card and when I opened it, 2 tickets fell out.  I was very happy and surprised.  We made jokes now about the "salad days" but they were more like raman noodles days...Salad days would have been an improvement.
     We had the cheapo lawn seats, and they were still good, from the recreational pharmaceuticals that were present to the couple behind us that didn't need a room, it was a very good show.  At the end Meatloaf would say " thank you to his fans for sticking with him from the good times and bad.  he was very sincere about it.  His album Bat out of hell II..Back into Hell was climbing the charts but the critics were still lambasting the album as a joke.   Even now I would play the song and the album if I go on a road trip.

"I'd Do Anything for Love (But I Won't Do That)" is a song composed and written by Jim Steinman, and recorded by Meat Loaf. The song was released in 1993 as the first single from the album Bat Out of Hell II: Back into Hell.
The last six verses feature a female vocalist who was credited only as "Mrs. Loud" in the album notes. She was later identified as Lorraine Crosby, from North East England. She does not, however, appear in the video, in which her vocals are lipsynched by Dana Patrick. Meat Loaf promoted the single with American vocalist Patti Russo performing the live female vocals.
The title of the song confused some listeners, who were curious to know what "that" is. The song was a commercial success, reaching number one in 28 countries. The single was certified platinum in the United States and became Meat Loaf's first number-one single on the Billboard Hot 100 chart and on the UK singles chart, and was the best-selling single of 1993 in the UK. The song earned Meat Loaf a Grammy Award for Best Rock Vocal Performance, Solo.
The song opens with a guitar played to sound like a revving motorcycle, which scholar Anne Bader interprets as foreshadowing "the male angst to come". This is a reference to Todd Rundgren's contribution in the middle of "Bat Out of Hell". Roy Bittan's piano begins to play, along with the guitars. The vocals begin at the 1:50 point, which is where many pop songs are beginning their second chorus. Steinman "alternates ... [a bombastic] style with mellow moments where the hard-hitting piano licks are fleshed out with ethereal synthesizer and choral-styled backing vocals."
And I would do anything for love
I'd run right into hell and back
These opening vocals are accompanied by piano and backing vocals. The song then becomes much louder as the band, predominantly piano, plays the main melody for twenty seconds. An instrumental section follows the first verse and chorus, lasting over 45 seconds, with piano playing the title melody, accompanied by guitar and wordless background vocals by Todd Rundgren, Rory Dodd and Kasim Sulton. The lead vocals recommence with another verse. The popular phrase "sex, drugs and rock 'n' roll" was edited to become "Some days I just pray to the god of sex and drums and rock and roll" on the recording (though not always in live shows).
Steinman's songs are usually much longer than most other songs, and "I'd Do Anything for Love (But I Won't Do That)" is no exception.The song is a full 12 minutes, and Steinman broke down when executives advised him that he had to cut it down to get radio play. Manager Allen Kovac warned that any song over five minutes would not be played on radio, saying that if Steinman and the group did not make the cuts then the stations would. Even after they made the cuts, Steinman sent his own version to the stations.
The single version was edited down to five minutes and 25 seconds, where the entire motorcycle introduction is omitted. The video version was whittled down to seven minutes and 38 seconds, where the motorcycle intro remains, but not in its entirety. In the video version and single version, the lengthy instrumental break is completely omitted. In the video and single versions, the refrain, which reads "I'd do anything for love, anything you've been dreaming of, but I just won't do that", which is sung before the instrumental bridge, was to be repeated three times, but was whittled down to having the one line repeated twice. Lorraine Crosby sings six verses in the complete song. In the video version, the second and third verses are omitted. In the single version, the second, third, and fifth verses are omitted.
Michael Bay directed the music video. He also directed the videos for "Objects in the Rear View Mirror May Appear Closer than They Are" and "Rock and Roll Dreams Come Through", also from Bat Out of Hell II. Filming took place in Los Angeles County, California in July 1993; the opening chase was filmed at Chávez Ravine, with the interior mansion scenes filmed at Greystone Mansion in Beverly Hills. The cinematographer was Daniel Pearl, particularly known for filming The Texas Chain Saw Massacre in 1973. Pearl says that this video "is one of my personal all-time favorite projects... I think the cinematography is pure, and it tells a story about the song."
The video is based on Beauty and the Beast and The Phantom of the Opera. Bob Keane did Meat Loaf's make-up, which took up to two hours to apply. The make-up was designed to be simple and scary, yet "with the ability to make him sympathetic." It went over budget, and was filmed in 90 °F (32 °C) heat, across four days. According to one executive, it "probably had the budget of Four Weddings and a Funeral. It is the abridged seven minute single version, rather than the twelve minute (11:58) album version.
The actress in the video, Dana Patrick, is miming to Crosby's vocals,however, as she would to Patti Russo's in the 1995 song "I'd Lie for You (And That's the Truth)".According to the captions aired on Pop-Up Video, Patrick received several offers for record deals after the video aired, by executives who assumed she was actually singing in the video.
The story begins with the opening credits saying: "I have travelled across the universe through the years to find her. Sometimes going all the way is just a start." We then see "The Beast" character – a deformed man portrayed by Meat Loaf, on a motorbike being chased by police officers and a helicopter. As the chase continues into night, the Beast passes through into his castle hiding from his pursuers. He mournfully examines his deformed hands and features; as the officers enter the castle, he ducks out of sight before resuming the chase on his bike. Crashing through the wall, he accidentally knocks down a police officer while the impact causes one of the chandeliers on the ceiling to fall and kill the officer.
In desperation the Beast flees into the nearby woods where he comes across a beautiful woman bathing/cooling herself by a fountain. Oddly enough, the woman appears to be in sunny daylight, while the rest of the woods and castle clearly show that it is night-time, although this may be a symbolic representation of the woman being the light to the Beast's own mental torture or "darkness" or a romance cliché. The woman looks into a mirror and glimpses the Beast watching her. She turns and he flees leaving only an amulet hanging on a branch. The woman picks it up and pursues him.
As she approaches the castle, the Beast is watching her movements through the reflection of his drink. As she comes into the castle the Beast hurriedly removes himself. The woman sits in his chair and rests by the fire. The beast watches her from his hall of mirrors and contemplates approaching her but is ashamed of his appearance. She later is seen having a bath interspersed with the police officers finding the dead officer's body and preparing to raid the castle. She is later seen trying to sleep while being seduced by 3 vampy women while the Beast sits in a chair (a reference to Dracula and the Brides). The Beast leaves the room and, seeing his reflection, begins to smash up the mirrors. The woman, hearing the noise, comes out and follows him into a presumable living room. The Beast observes her from above and levitates the chaise she is sitting on.
The Beast, then hearing the officers are near moves away, pulls the chaise back down breaking a lamp. The two run away and the woman removes the Beast's hood so she can look at him clearly. She accepts him and caresses his face while they embrace. As they pull away, the Beast is returned to his human form, and the two disappear just before the police catch them. The woman and the transformed Beast finally ride off into the sunrise on his motorbike.

Bat Out of Hell II: Back Into Hell
Cover shows a bat perched on the tower of a building. A strange creature flies toward it.
Studio album by Meat Loaf
ReleasedSeptember 14, 1993
Recorded1991–93 at Ocean Way Recording (LA) and The Power Station (NYC)
GenreHard rock, rock, Wagnerian rock
LabelMCA, Virgin
ProducerJim Steinman



  1. Thanks for the history of the song, and Meatloaf! I wasn't aware of a lot of that!