Monday Music "Hold Out for a Hero" by Bonnie Tyler

I am continuing my string of "bugaloo" songs.  This discussion was started in the "Monster Hunter Nation, Hunters Unite", it is a facebook group with enthusiast of the ILOH "International Lord of Hate" A.K.A Larry Correia.  We were talking about what song would we use if we looked out of our window or glanced at our security camera and saw this.....

One of the alphabet bois lining up to take down your house...What would be your "Valhalla" song and you would set it up to play as you load up magazines and prepare yourself.

Holding Out for a Hero" is a song recorded by Welsh singer Bonnie Tyler for the soundtrack to the 1984 film Footloose, and later included on her 1986 album Secret Dreams and Forbidden Fire. It was written by Jim Steinman and Dean Pitchford. Initially, the song only just reached the Top 100 in the UK Singles Chart, but made it to number 2 the following year, and re-entered the charts again at number 69 in 1991. The song reached No. 1 on the Irish Singles Chart on 28 September 1985. It reached the top 40 in the United States and Canada. The song's instrumental break was reused from an earlier song by Jim Steinman called "Stark Raving Love", which featured on Steinman's 1981 album Bad for Good.

Jim Steinman had been recruited to work on the Footloose soundtrack, for which he wrote "Holding Out for a Hero" with Dean Pitchford. Steinman suggested Tyler's name when he was approached about finding a singer to record the song. Tyler recorded the song at the Paramount Studios, and was shown the scene of the film where the song would feature.

The video was produced by Jeffrey Abelson, and directed by Doug Dowdle, with the concept by Keith Williams. It was the second music video (following Deniece Williams' "Let's Hear It For The Boy") that successfully promoted Footloose while having no movie footage in the video.
The video starts off with Bonnie Tyler escaping from a burning house; the video is set primarily in the vicinity of the burning house and on the edge of the Grand Canyon – interspersed with shots of angelic background singers dressed all in white. Evil cowboys dressed in black, carrying neon whips appear before Tyler, threatening her; a cowboy hero dressed in white, brandishing a revolver, appears on horseback and the evil cowboys flee on horseback, with the hero in pursuit. As the song fades out, the hero cowboy appears in front of Tyler.