Monday Music "Love is a BattleField" by Pat Benatar

I have been enjoying the run of songs, I never had a theme last this long, and I am  really enjoying it in a weird sort of way,   I have several more weeks in mind, perhaps longer.  As long as I can flog er work the muse, I will, and for some reason Disco really plays well with this theme of songs for some reason.
     I am continuing my string of "bugaloo" songs.  This discussion was started in the "Monster Hunter Nation, Hunters Unite", back in December? it is a Facebook group with enthusiast of the ILOH "International Lord of Hate" A.K.A Larry Correia.  We were talking about what song would we use if we looked out of our window or glanced at our security camera and saw this.....

One of the alphabet bois lining up to take down your house...What would be your "Valhalla" song and you would set it up to play as you load up magazines and prepare yourself.

 I figured it would scar the alphabet boys if they come busting in and hearing a song that is related to Fast cars and good music in the 1980's.  What can I say, My humor is warped....just a bit. Next week will be "Bodies(Let the Bodies hit the Floor by Drowning Pool",  Now that should really cause some psych evals., hehehe, some poor ATF guy trying to explain the attraction to his mother because of 80's hair, and makeup.
"Love Is a Battlefield" is a song performed by Pat Benatar, and written by Holly Knight and Mike Chapman. It was released in September 1983 as a single from Benatar's live album Live from Earth, though the song itself was a studio recording. The song was ranked at number 30 in VH1's list of the 100 Greatest Songs of the 1980s. "Love Is a Battlefield" went on to sell over a million records.

The Bob Giraldi-directed music video features Benatar playing a rebellious teenage girl running away from her home with her father (played by actor Trey Wilson) warning her, "If you leave this house now, you can just forget about coming back!" Her mother looks on helplessly and her brother (played by actor Philip Cruise) watches sadly from an upper-story window. She later becomes a taxi dancer at a seedy club to get by in the city, outwardly New York. She writes to her brother, telling him about her exciting new life, while her father seems to feel guilty about being angry at her. Later in the video, she witnesses the club owner (played by actor Gary Chryst) harassing another dancer. Benatar rounds up the women and leads a rebellion against him. As the club owner is cornered by the women against his will, he tries to seduce Benatar only to have her throw a drink in his face. Angered by this, he tries once again to assault her but Benatar and the women overpower and defeat him, then storm out of the club dancing into the sunrise before bidding goodbye to one another, thanking Benatar for their escape. The women escape and strike out on their own and Benatar walks into the sunrise. The final scene shows Benatar sitting in the back of a bus headed for an unknown destination. The video was choreographed by Michael Peters, who appears briefly in the video.

A special dance club remix of the song was created by Jellybean Benitez. Benitez also created an edited version of his mix specifically for the video. It differs slightly in structure and instrumentation, and aside from appearing in the video, has never been commercially released.
The video was the first ever to feature the use of dialogue.The scenes featuring dialogue include the opening scene of Benatar stomping out of the house while being berated by her father and the scene featuring the pimp harassing the female dancer in which she shouts "Leave me alone!"
The video was nominated for an MTV Video Music Award for Best Female Video and is contained on the DVD for the movie 13 Going on 30.